Paire says he played in Hamburg despite testing positive for COVID-19

Frenchman Benoit Paire said on Wednesday that he was allowed to play in the Hamburg Open despite testing positive for COVID-19 because the “rules are different” in Germany.

Paire, who caused a storm at the US Open last month when he was forced to pull out of the grand slam after testing positive for COVID-19, said he returned a positive test again on his arrival in Germany but was told he was no longer contagious.

Paire played Norwegian Casper Ruud in his first round match but retired in the second set when he was down 6-4, 2-0.

“When I arrived, the test came back positive again,” Paire, who also played in the Rome Masters last week, told reporters. “I can’t take it anymore, I’m breaking.

And then I’m told, in Germany, if you are positive and have already completed the quarantine [period], they no longer test the players because even if you catch it again, you are no longer contagious.

“I said ‘thank you’ to the doctor and the tournament [organisers] for allowing me to play … In Paris, some are negative but since the coach tested positive, they cannot play. Here, in Germany, you test positive and you can still play.”

Benoit Paire in action in Hamburg.
Benoit Paire in action in Hamburg.CREDIT:AP

Six players in the French Open men’s and women’s qualifying draw were withdrawn this week after either testing positive for COVID-19 or after coming in close contact with a coach who tested positive.

Paire added that he fears he will be withdrawn from the French Open after a doctor in France told him there was a 50 per cent chance he would test positive when he arrives in Paris.

The French Open begins on Sunday.

Reuters

Spanish flu survivor still plays tennis at 102

Spanish flu survivor Evelyn Schroedl is living through another pandemic. But, at age 102, she’s COVID-free and still playing tennis. Chip Reid has her story.

https://www.cbsnews.com/video/spanish-flu-survivor-still-plays-tennis-at-102/

Legends in Their Own Lunchtimes: Manly “Silverbacks” Win Sydney Badge Grade 1.4

Headed by the two Steves (Netto/Wilko), winners of the grade’s best pair averages,  the team led from start to finish for the entire competition.

In front of an enthusiastic, partisan home crowd, the team won last Saturday’s Final, 6 sets to 2 against Neutral Bay 4, with Netto/Wilko taking 4 sets and Howard/Milton 2 sets.

Success has many fathers, as they say. And this was very true of this team of legends, with ALL of the seven team members (Netto (c), Craig, Howard, Milton, Robbo, Rob and Wilko) making contributions throughout the 14-match competition.

Thanks must go to the many supporters including legendary friends Ken Grey, Curtis, JC, Foxy and “Magic Fingers” (aka David Stroud of Trident) cheering energetically from the sideline not only on Saturday but throughout the majority of matches — thanks guys!

Perhaps the greatest off-court contribution came from personal trainer “Magic Fingers”, who kept the Legends on court by managing various injuries, some not due to tennis, suffered during the competition –- thanks Dave!

And let’s not forget Jon Corney who not only filled in for the team when we had 4 sidelined with injury; but also produced the end of badge buffet on Saturday, whilst Milton was otherwise engaged – thanks Jon!

Pictured below are the Legends sans Magic Fingers and Jon Corney.

Manly Silverbacks 2020

Congratulations to Manly 4 Men’s Team winning Sydney Badge Grade 1.4.

FIVE NOTABLE DEFAULTS: DJOKOVIC IN COMPANY WITH NALBANDIAN AND HENMAN

Emotions can run high and get the best of any of us in intense situations. Keeping them in check is part of the battle.

On a tennis court, when players lose their cool, heat-of-the-moment reactions have been known to lead to the most unfortunate of outcomes: a match default. On Sunday, world No. 1 Novak Djokovic became the center of a US Open disqualification sure to be talked about in the years to come.

Here are five defaults that are remembered for being on the wrong side of history.

Read More –>

At the US Open, the coronavirus has disrupted a crucial relationship: Player and towel

A number of things have changed at the U.S. Open because of the novel coronavirus.

Players wear masks walking to and from courts; gone are the post-match handshakes and hugs at the net; players have only minimal time in the locker rooms, training facilities and on-site gym; and, of course, there are no fans at the Billie Jean King National Tennis Center in New York.
But one of the biggest changes for players has to do with sweat — as in, how to mop it up.

At this year’s U.S. Open, players, rather than ball boys and girls, must tend to their own towels between points.

There are new, temporary rules governing how towels are used on court, and they have disrupted a routine that is sacred for many players.
“For me, it has huge importance, the towel,” fourth-seeded Stefanos Tsitsipas said. “I use it very often. It gives me time to think, gives me time to refresh myself and think about my tactics.”

Source: Washington Post

The Bizarro 2020 U.S. Open Begins

If a Grand Slam tournament happens and there are not 50,000 daily spectators there to watch it, is it really a scene? The players are making it one.

The four biggest tournaments in tennis, known as the Grand Slams, so clearly reflect the cities in which they take place.

January offers the Australian Open, a free and easy party in Melbourne. The French Open, in springtime in Paris, leads with the beauty and elegance of Roland Garros and its red clay. Wimbledon, in July in London, with its hallowed grass, is tradition and history, with a box reserved for the royal family. And the late summer finale is the United States Open in New York, a tournament every bit as noisy and chaotic and nonstop as the city itself, with matches that sometimes start near midnight and stretch well past it, with fans carousing into the night.

Except of course, when the U.S. Open takes place amid a pandemic.

Through this spring, New York became more quiet and empty, with atypically bare pavement in Times Square and silence on the streets broken only by the citywide cheers each night at 7 o’clock from the windows to herald doctors, nurses and other essential workers.

Gone, seemingly, was everything that made the city the city.

That contrarian version of life arrived Monday at the U.S.T.A. Billie Jean King National Tennis Center, a bow to the safety precautions required to limit the spread of the coronavirus. To be here during the opening day of the U.S. Open was to experience something nearly impossible to envision.

A usually crammed boardwalk connecting the subway to the west gate was devoid of nearly all signs of life. No one begging for or trying to sell an overpriced, last-minute ticket. No endless lines trying to get through the six metal detectors that were still operating but had little metal to detect.

The Adidas and U.S. Open stores were filled only with people stringing rackets, six feet apart, instead of fans swiping plastic for souvenirs. Metal shutters were pulled down on every stand in the food court. No Franks and Fries or Neapolitan Pizza or Ben & Jerry’s.

As Angelique Kerber of Germany and Ajla Tomljanovic of Australia got underway at Louis Armstrong Stadium with the first match in a big, nearly empty venue — Armstrong can hold some 14,000 people — the loudest sounds were the screeching trains from the Long Island Rail Road yard just beyond the tennis center’s walls, and of course the planes flying low out of nearby La Guardia Airport.

Tomljanovic, who lost 6-4, 6-4, described the bizarre sensation of slugging through the most intense points only to have all that effort met with the sound of one coach clapping.

“That’s usually when the crowd would erupt,” said Tomljanovic, who likes to people-watch during her changeovers but had nothing to look at but empty seats covered by tarps. “Nothing really happens. It has to come from you.”

Players marched onto their courts after an announcer introduced them over the public address system with brief highlights of their careers, even though no one was really there who didn’t know the information already. Then came some brief piped-in crowd noise.

Big screens that surround the court at Arthur Ashe Stadium showed a grid view of fans cheering remotely in small boxes, looking a bit like they were being held hostage and told to cheer on command.

Karolina Pliskova of the Czech Republic, the No. 1 seed in the women’s draw with Ashleigh Barty and Simona Halep not playing, opened play in the 22,000-seat Ashe Stadium and imagined that she was, in fact, being watched. The top 32 seeds each get a luxury suite in Ashe to use as a lounge. Surely a few of them saw her dismantle Anhelina Kalinina of Ukraine, 6-4, 6-0.

“It’s super huge and it still feels super empty,” Pliskova said of Ashe, “but I feel like there is at least the player boxes where they stay, so I felt like there is at least a couple people watching.”

The artists call it “negative space” — the area around and between the subjects. At the U.S. Open, it is usually a sea of people, with the occasional player navigating through on the way to a match or a practice court like a commuter racing for a train at Grand Central at rush hour. There are no tunnels or hidden walkways here. You march with the people.

On Monday, the negative space was mostly empty, allowing all those players, racket bags slung over their shoulders because they can’t leave them in the locker rooms that have rules limiting their capacity, to dominate the scene as never before. The tennis center was like their college campus, complete with the warnings about and limits on indoor dining.

Source: NewYorkTimes

Bryan Brothers Retire

Most successful doubles team in history retire together.

On opposite coasts but still on the same wavelength, the identical twins Bob and Mike Bryan, the most successful men’s doubles team in tennis history, are retiring at age 42, effective immediately.

“We just both feel it in our guts that it is the right moment,” said Mike Bryan, the older of the twins by 2 minutes. “At this age it takes so much work to go out there and compete. We love playing still but we don’t love getting our bodies ready to get out there. The recovery is tougher. We feel like we were competitive this year, last year, the year before. We want to go out right now where we still have some good tennis left.”

The Bryans, exuberant and exceptionally fan-friendly Californians whose trademark was the chest bump, were raised by their tennis-teaching parents, Wayne and Kathy, to be champions and ambassadors for the game.

“There was a master plan,” said Wayne Bryan in a telephone interview on Wednesday.

The Bryan brothers became prolific winners during their 22-year professional career: claiming 16 Grand Slam titles in 30 finals and 119 tour titles playing together, which was nearly always the case. They were ranked No. 1 as a team for a total of 438 weeks and finished 10 seasons as the world’s top-ranked doubles team.

All those are men’s Open Era records, often by wide margins. There may have been greater doubles players — John Newcombe, Roy Emerson and John McEnroe all deserve consideration and all played when doubles had a higher profile and more singles stars played both.

But the Bryans, by force of personality and longevity, bridged some of the gap. No men’s team has achieved more (or signed more autographs). The Australians Todd Woodbridge and Mark Woodforde are a distant second in the Open era with 11 Grand Slam titles and 61 tour titles.

At their peak in 2012 and 2013, the Bryans held all four major titles and the Olympic gold medal, often overwhelming the opposition with their positive energy, telepathic communication and complementary skill sets.

“We were pretty much unstoppable for those years,” Bob said on a Zoom call. “We were down a break of serve and smiling, and not one bit of negativity drifted into our game.”

They have had plenty of fraternal spats through the years: In 2006, Bob broke Mike’s guitar in anger after a scuffle at Wimbledon (they went on to win the title). But the Bryans appeared to mellow as their career stretched on in an era when advances in nutrition, training and recovery have allowed many tennis stars to endure: see Roger Federer, 39, and Serena Williams, 38.

Bob, a left-hander, had the bigger serve and more explosive game. Mike, a right-hander, had the more consistent returns and rock-solid volleys.

They were fine players on their own: Bob won the N.C.A.A. singles championship in 1998 as a sophomore when they were attending Stanford University, where they won two team titles.

But together the twins were transcendent and also more at peace. When playing singles, comparisons were inevitable, which could generate tension. When they were juniors, their parents generally did not allow them to play one another in tournaments, instead having them take turns defaulting when draws brought them together.

But when playing doubles, they were a unit, their successes and setbacks fully shared.

“A lot of kids who play tennis, they dream of being No. 1 in the world in singles,” Wayne Bryan said. “But with identical twin brothers with the exact same DNA and the exact same parents and same coaching and same club, that’s pretty competitive. How can you be No. 1 in the world if you’re No. 2 in your own bedroom? So we never wanted them to play and compete against each other. They were born to play doubles.”

Wayne Bryan was a former No. 1 player at UC Santa Barbara, and Kathy Bryan was once ranked No. 11 in the United States. They were teaching pros and part-owners at the Cabrillo Racquet Club in Camarillo, Calif., which had 17 courts and a fitness room.

The boys started early, hitting balloons with rackets in their living room at age 2 and winning their first title together at age 6. By age 8, they had written down the goal of reaching No. 1 in the world and posted it on the family’s refrigerator.

“In some ways you think, if not them, then who?” Kathy Bryan said of her sons’ success. “Because they had kind of a perfect little petri dish to grow up in with love, and tennis was our livelihood, and we both had experience in the game.”

But Kathy Bryan also knew the odds. “You think, how can they ever rise above the hordes of great players?” she said.

The Bryans did not have a television in order to encourage their sons to focus on tennis, academics, personal relationships and another family passion: music.

The twins would later found the Bryan Brothers Band, playing gigs as well as matches as they traveled the world with Bob on keyboard and Mike on drums or guitar.

At Stanford, when they were assigned to different dormitories as freshmen, Bob set up a mattress on the floor of Mike’s room and slept there instead. Long into adulthood, they shared a bank account. They still speak or text multiple times a day even though Bob, his wife, Michelle, and three young children are based in Hallandale Beach, Fla., and Mike and his wife, Nadia, and their infant son now live in Camarillo.

“We’re still best friends, and we just have a stronger connection now than ever,” Mike said. “You know how tough it can be as brothers to get along all the time. And we made it work for so long in high-pressure situations, eating every meal together, spending every practice together.

“For a lot of people that gets pretty stale, but we kept our marriage strong. We needed a little therapy here and there, but in the end it worked out, and looking back at our longevity, that’s something we can be very proud of, that we did it day in and day out together.”

Going out together was important, too. The plan for 2020 was to play a farewell tour, and then retire after the United States Open.

But the coronavirus pandemic disrupted that plan, halting play on the men’s tour for five months. The twins did play in World Team Tennis in late July and early August, but when it was confirmed that the U.S. Open would be played without spectators, they decided to retire rather than take part.

“We weren’t in this last year to just play the matches and to get points or to make money,” Bob said. “It was to really say our thank-yous to everybody and feel the atmosphere one last time. The crowds — that’s what make the U.S. Open magical in our minds. We really applaud the U.S. Open for getting going, and all the work they’ve put in to give tennis back to the fans on TV and to give players opportunities to compete again and make money. But it just wasn’t right for us.”

The Bryans once thought they would retire after the 2012 Olympics in London, where they won the last significant title they lacked, and they stopped playing together abruptly in 2018 when Bob badly injured his hip and elected to have hip resurfacing surgery. Mike continued on that year with a new partner, the American Jack Sock, and won Wimbledon and the U.S. Open: giving him a total of 18 Grand Slam men’s doubles titles, two more than his brother.

After the twins reunited in 2019, they won three more tour titles together. “I was in his corner and waiting for him to come back,” Mike said Bob, who during his recovery sometimes attended Mike’s practices with Sock using a cane.

“It’s not always rosy,” Mike said, adding, “I went through a divorce, which was not easy on even Bob’s and my relationship, because it seeped into our tennis. I wasn’t playing my best level for a year or two, just because I wasn’t super happy. But luckily we’ve had each other to lean on.”

Their last title — their 119th — came in Delray Beach, Fla., in February, which also turned out to be their final ATP event. They then traveled to Hawaii and won their final official match: playing for the United States Davis Cup team in a qualifying-round victory over Uzbekistan just before the tour hiatus.

During the forced break, the brothers and their families initially set up in Camarillo, quarantining in the same pod with Wayne and Kathy. Both brothers noticed that the competitive flame had dimmed. They plan to keep playing exhibitions but raising their families is their new shared priority.

“The drive we had for so many years that got us out of bed and into the gym and had us thinking about tennis nonstop, it’s just not there,” Mike said.

New York Times

ANGELA BUXTON: 1934 – 2020

Angela Buxton, half of an outcast tennis duo! She was Jewish, Althea Gibson was black, and they forged a champion partnership. Buxton was inducted into the Black Tennis Hall of Fame in 2015.

They were both outsiders in the starched white world of elite 1950s tennis, superb players but excluded from tournaments and clubs and shunned on the circuit because of their heritage. Angela Buxton, a white, Jewish Englishwoman, was a granddaughter of Russian Jews who had fled the pogroms in the early 1900s; Althea Gibson, a black American, was born in a sharecropper’s shack in South Carolina and grew up in Harlem.

They eventually found each other and forged a powerful doubles partnership. In 1956, they won the French Championships and Wimbledon, the jewel in the crown of a sport that had hardly welcomed them.

The Duchess of Kent, centre, presents the trophy for the Ladies’ Doubles title to Angela Buxton, left, and Althea Gibson, right, following their victory at Wimbledon, England, 1956.  AP

But for all Buxton’s prowess on the court — she was ranked in the women’s top 10 in the mid-1950s — she is best remembered for the long-lasting support and encouragement she gave Gibson, the first great black player in women’s tennis, the first black to win Wimbledon and, for a time, the No. 1 ranked female player in the world.

Buxton died at 85 on August 14 at her home in Fort Lauderdale, Florida, the International Tennis Federation announced.

When Buxton and Gibson met at a tournament in New Delhi in 1955, Gibson was so discouraged by the barriers she faced as the only black player in the top echelons of tennis that she was ready to give up the game.

“When I came on the scene, the other players wouldn’t speak to Althea much less play with her quite simply because she was black,” Buxton told Sally Jacobs, author of a forthcoming biography of Gibson. “She was completely isolated,” she added. “I was, too, because of being Jewish. So it was a good thing we found one another.”

Buxton’s coach paired the two as doubles partners. In 1956, the same year they won in Paris and at Wimbledon, Buxton reached the singles finals at Wimbledon, losing to Shirley Fry. When Gibson won Wimbledon the following year, Buxton made the floral dress that Gibson wore to the winners’ ball.

“They were pictured dining together in a magazine snapshot, a white and a black sitting at a table in the clubhouse at De Coubertin Stadium in Paris, laughing as if they were in on a joke that the rest of the world didn’t understand,” Bruce Schoenfield wrote in The Match: Althea Gibson and a Portrait of a Friendship (2005).

Buxton suffered from a chronic wrist condition that forced her to cut short her career in 1957 at 22. But her successful pairing with Gibson left Gibson in demand as a doubles partner.

Buxton went on to mentor young players and write about tennis and she became a lifelong friend of Gibson’s. In 1995, when Gibson was living alone in New Jersey, sick and destitute, she telephoned her old friend, whom she called “Angie baby”.

“She said she was calling to say goodbye,” Buxton told Jacobs. “She said she was going to kill herself. I said, ‘Now, wait just a minute.’”

Buxton wrote a letter to Tennis Week magazine describing Gibson’s plight and asked for contributions. Money poured in from around the world. Jacobs said in an email that Buxton’s actions had helped pull Gibson out of her slump, enabled her to buy a silver Cadillac and encouraged her to go on living. She died in 2003 at 76.

In honour of her support, Buxton was inducted into the Black Tennis Hall of Fame in 2015.

Angela Buxton was born on August 16, 1934, in Liverpool. Her father, Harry Buxton, was a jewellery trader in Leeds; after amassing a windfall at gambling, he bought a string of movie theatres. Her mother, Violet (Greenberg) Buxton, was a homemaker.

The New York Times

And Then There Were Three…

A spark of joy in this long COVID year as popular club member Jono and his partner Joan welcomed the arrival of their first child, Harvey John (2.95kg), in the early hours of the morning a little over a week ago. Both Harvey and Joan are healthy and resting, and MLTC can’t wait to see its newest honorary member. Congratulations to both parents!

Harvey John

Rod Laver turns 82

In a rather pleasing coincidence, Rod Laver was born on August 9—one day after Roger Federer’s birthday. Add to this that another tennis great, Pete Sampras, was born on August 12.

Laver, of course, is the elder of this titanic trio, the man the other two have long revered for everything from his game to his grace. As much as Federer, Sampras and the entire world wish to honor Laver turning 82, he himself this year has commenced another celebration. True to the collaborative spirit of Laver’s homeland, this one’s a team effort.

Late 2019 marked the publication of a new book authored by Laver. His story is only a small part of it. Laver’s tale is called “The Golden Era: The Extraordinary Two Decades When Australians Ruled the Tennis World.” Written with the assistance of Australian journalist Larry Writer (yes, that’s really his name), the book is an in-depth chronicle of 1950-’75, the years when Australian tennis ruled the world.

“This was our story, our nation’s story,” Laver told me, “and I wanted to tell it all. These people are all my friends and many of them have been my rivals. It was fun to dig into all this incredible history and bring it to life once again.”

Read more —>

Golden Girl: Eileen Walker

Let’s hope Her Maj hasn’t forgotten to send a celebratory telegram to Eileen Walker, oldest living and long time member of MLTC who turned 100 last week.

Born in Grenfell, NSW in 1920, Eileen became a Northern Beaches local and lived in Dee Why (Ian Ave.) for a long time, surviving the loss of her husband in 2000 and her only child, a daughter, in 2006.

She played tennis in the area and was a member of MLTC for many years.
It was only four years ago that her niece moved her to a War Veterans nursing home close by her in Camden Way, where she remains comfortable and healthy, but just a little vague. So much to remember!

Happy 100th birthday to MLTC’s Golden Girl, Eileen Walker.